One of the band's biggest tunes marked the end of their first chapter, but became a springboard that would propel both them ...

I Feel Love’s innovative electronic rhythm section set the stage for pretty much everything that followed, and here’s how you ...

I Feel Love’s innovative electronic rhythm section set the stage for pretty much everything that followed, and here’s how you can recreate its bewitching energy in your DAW ...

Today on British Invasion — the column that talks about both Mr. Blobby and The Beatles in the same breath — I hope to start a series exploring the solo careers of all four Beatles ...

Parsley, Sage, Rosemary and Thyme, and the duo’s final two albums—1968’s Bookends and 1970’s Bridge Over Troubled Water —included multiple tunes with inventive and unusual instrumentation, ...

Here are five takeaways that seal the band's legendary Man Machine status - and shed a light on how Kling Klang really ...

At a Grammy Museum event celebrating the the Beach Boys' 'We Gotta Groove' boxed set, producers, engineers and Mike Love ...

We explore how a single song released in 1977 quietly reshaped the future of music. By placing the synthesizer at the center of a pop track, Giorgio Moroder, Pete Bellotte, and Donna Summer created a ...

Reunited with its troubled leader, an American pop institution attempts to meet the challenges of a new era The post The Beach Boys’ We Gotta Groove, The Brother Studio Years reviewed: their rocky yet ...

PBS’s ‘American Masters’ presents a tribute to the eccentric, virtuosic pianist and composer, who combined swing with the avant-garde and Afrofuturism.

If you were looking for me last Saturday evening, you’d have found me at the Irene and Alan Wurtzel Theater for the TIMARA faculty recital, titled “Signal: Noise.” The Wurtzel Theater’s vibe was ...

The new year was still fresh when we landed on a Zoom call with Young the Giant’s enigmatic frontman Sameer Gadhia and charming multi-instrumentalist Eric Cannata. The air was crisp (even in Southern ...