Publication date from publisher's Web site. "Checklist of works exhibited in Washington": pages 246-249. "The Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Effectively Britain's ...

Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...

The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...

The Google Doodle for November 18 honors Fanny Eaton, a muse to the Pre-Raphaelites who helped redefine Victorian standards of beauty. Born in Jamaica on June 23, 1835, Eaton moved to London in the ...

The pre-Raphaelite movement in America: an introduction -- The British brotherhood -- Buchanan Read and the Rossettis -- William J. Stillman: "The American pre-Raphaelite" -- The Crayon: the first ...

The handful of British artists who called themselves the Pre-Raphaelite Brotherhood were “a radical yet backward-looking” bunch, said Jeffry Cudlin in the Washington City Paper. The movement’s major ...

This exhibition demonstrates Van Eyck’s influence on the Pre-Raphaelite through visual comparisons which satisfyingly reveal a complex relationship between two otherwise disparate art movements. Jan ...

Each yearned to reform the conservative British art establishment, which they felt inhibited progressive contemporary artists. The artists had attended classes at the prestigious Royal Academy Schools ...

Behind the building, on the opposite side of the Thames, stands Thomas Brock’s bronze statue of John Everett Millais, one of the founders of the Pre-Raphaelite Brotherhood, the first modern British ...

Written for THE NEW YORK TIMES SATURDAY REVIEW OF BOOKS by Joseph Jacobs. Author of (SOME RECOLLECTIONS OF SIR EDWARD BURNE-JONES.) This is a digitized version of an article from The Times’s print ...